Wharf Chambers, Leeds, 2025
An exhbition of performances and art installations curated by Rachel Prince
Funded by Leeds City Council's Cultural Investment Programme
Check. Check again. Check me out. You’d better double take.
Look twice when I turn around, when you see my face, when I give my tail a shake
and pull out my pocket watch; clock me, clock me bitch. Double cheque.
Watch as we combine drag, performance art, installation and video, all for
your pleasure. Look through our land of freaks and players, of counters and
encounters, of checkerboards spilling out into the night. Watch us break rules, make moves, lose, seduce. Look twice. Look hard.
Photographs by Antonia Jameson
"There's no interval" door greeting
Part of Visually Arresting , roaming performance by Pop Tart
Dance Mat, performance by Meg Erridge
Visually Arresting, roaming performance by Pop Tart
Dance Mat, performance by Meg Erridge
Dance Mat, performance by Meg Erridge (foreground)
Sawing a Tranny in Half, performance installation by Rachel Prince and Florence Wake (background)
Visually Arresting, roaming performance by Pop Tart (foreground)
Sawing a Tranny in Half, performance installation by Rachel Prince and Florence Wake (background)
Visually Arresting, roaming performance by Pop Tart (left of left image)
Sawing a Tranny in Half, performance installation by Rachel Prince and Florence Wake (right of left image)
All My Own Saints, video installation by Florence Bennett (right image)
Sawing a Tranny in Half, performance installation by Rachel Prince and Florence Wake (side view)
All My Own Saints, video installation by Florence Bennett
Visually Arresting, roaming performance by Pop Tart
All My Own Saints, video installation by Florence Bennett